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Featured Images

More Movement Trays

I like having skirmisher movement trays, since 8th edition Fantasy has skirmishers less skirmishy and more ranked. I’ve done these before, so it was a relatively easy task to undertake. In addition to the simple drybrushing, I did an under layer of SW Flesh Wash, Guilliman Blue and Waywatcher Green to try to bring some other tones than just grey to them.

The other difference was that I used the Vallejo Lava instead of gluing pebbles to them. So much easier, and just as nice looking. I did press a few pieces of gravel into the lava goop, to try to bring more different textures.

I think they are a little more interesting now. Still just lumps of rock though. 😛

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Featured Images Technique

Agrellan Earth…

…I had wanted this to be published on the 7th, so maybe I could get some feedback on it. Apparently I missed the publish button. >.>


 

I saw a video a few months back showing someone locally using the new GW Agrellan Earth technical paint to create a seriously badass lava base. Since lava bases are my thing, I picked up a bottle and then prompted started painting Malifaux, with zero lava.

OFCC is in 3 weeks, and I have a list of things that still need doing – including making a new base for a skink priest. The priest from my stegadon is on pins, and is getting a shiny new base since I need priests, and Engine’s of the Gods aren’t really great anymore.

I started by painting Vallejo Black Lava texture paint onto a 20mm base. In the end, this wasn’t super necessary, but it does make the end result have a little different levels to it.

I painted a sloppy mixture of Mephiston Red, Blazing Orange and Sunburst Yellow on it.

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Then I painted the Agrellan Earth, noting that I’d really just painted a brown slop over my yellow. >.>

When it dried, it looked ok, but not nearly as stunning as some examples I’ve seen. I did some wetbrushing with Chaos Black.

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I watered down some yellow and orange and painted it again. Because of the heavy water content, it slipped into the cracks easily. It was on top as well, but after I was done with my water mixture I went back and wetbrushed the Chaos Black again, and it got a little brighter.

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If I could get the kind of separation as the example, I’d be a lot happier. Anyone have any experience with it?

Featured Images Photography

Wyrd Summer Painting Contest – Photography

Since I have an interest in miniature photography as well, I’ve got one last post here on how it all came together after the painting was done. Here’s two photos for reference.

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Setup

Getting this all set up was a bit of an ordeal!

First, I was glad the kitchen table had been cleared – I was playing a 3-player game of Malifaux with some friends that afternoon, so I didn’t have to move our crap from it!

The backdrop I’d previously purchased to take photos of my Daemon army (and, obviously, for future things like this!). When I unraveled it and put it on the table though, it was to far away – I’d previously measured that I wanted my diorama to be about 7 inches from the lens. So I grabbed an end-table, cleared the stuff off of it and rested it on the kitchen table to provide some support for the backdrop. Initially I put two glass cups on top, but after thinking about the consequences of glass falling, should I bump the setup, I found some metal and plastic cups instead to hold it up. (what I’m getting at here, with the end table and cups — you find ways to make it work!).

I had some brown material sitting around for another project, and put that on the bottom to provide “dirt”. The goal was that the backdrop would be sky, and the diorama wouldn’t look out of place on a dirt brown floor.

Then my standard 2-light setup, with my tripod. I had to bring over a third light – my painting light from my desk – because I was getting shadows I didn’t want. Because of the heat we’ve had the shutters closed and I didn’t want to open them, and didn’t have enough ambient light from living room light fixtures to solve the shadow problem.

Then, put the diorama on the backdrop.

 

Photography

Because I had an idea of what settings I wanted to use (in fact, the camera was still on those settings), I knew where to start. I had to remember to set the ISO back down to 200 because I wasn’t taking super grainy test photos anymore.

I took a variety of photos. I adjusted the aperture up and down, and the focus up and down, in order to ensure that I had the photo I wanted. Once I was done taking photos, I didn’t want to have to go back and re-take any, so I wanted to try to get as many as I could. I moved the model around as well, in order to get different angles that didn’t have my living room in the background.

 

Editing

Here’s a picture of the final image again, just to help remind you.

Final

When you take a ton of photos, you then have to go through and delete a ton of photos. I only wanted to submit between 3 and 5, but I’d taken 30. I loaded them all up in Lightroom, and started deleting. Some of them were super easy – focus was all wrong, lighting was all wrong. Some of them were harder – do I have enough photos that have the Gunsmith in focus? This photo is dramatic, but this other photo shows more of the diorama. And similar to making a resume, or a Magic the Gathering deck, anything you put in that isn’t perfect is just making the whole thing worse.

I got it down to 7 good photos and moved on.

Lightroom has a host of great editing features that I use regularly. I adjusted the white balance on every photo – usually I do this physically with a white card and the camera setting, but I had forgotten. >.< I also click “Auto” for the brightness, contrast, whites, blacks, highlights and shadows section. Auto isn’t perfect every time, but it’s a good baseline. I find sometimes it will adjust my photo to an extreme, so I have to pull it back a bit – most often in the Whites or Brightness.

I also use Lightroom to crop. All my photos are taken 4:3, but sometimes a different ratio works better, and sometimes I need to crop to get a better photo. As well, because my lens (grrrr) has a couple spots on it, I need to use the spot remover in places.

You’ll notice there are only 5 photos in the final image, and during this process I realized that two photos were unnecessary – either not good enough, or showing something I’d already shown. Deleted! Do not be afraid to delete! You’re only making your project better.

I saved all of the photos as JPGs…and then moved onto the step I don’t usually do. I opened each photo up in Paint.NET…and smudged the lines on Killjoys side. I don’t feel bad that I did this – it’s all a part of submitting the best photo you can. At the same time, that line bothers me and I wish I could slow down enough to make it go away on future models!

The very last step was to create a brand new image that was 800 pixels wide, and as tall as the combination of all of the images. The contest rules required that photos be no more than 800 wide, but that you could use as much height as you wanted to show additional angles. I copy and pasted each image into this new one, leaving a 2 pixel white separation between each image to help set them apart.

The contest rules also stated that images must be less than 300kb, so when I saved it I set the JPG quality settings such that the final image was 294kb. It’s good that I got rid of those 2 extra photos, otherwise I’d have had to sacrifice more quality! This was something I hadn’t accounted for, so I’m glad it worked out by accident!

 

And that’s the end! I’m writing this on July 15th – I was told not to publish any photos or articles before the voting was done on July 27th, so I’ve scheduled all of the last posts. As I write, I have no idea what’s going to happen! Excitement!

Featured Images

Wyrd Summer Painting Contest – Final

And finally, here’s the photo spread I submitted to the contest. If you’re a good reader, you’ve already seen it as you went and voted for it a month ago when I asked you to! 😛 By the time you read this, hopefully we’ll all know who the winner was, and have all seen a ton of amazing looking models!

Final

 

I’ve got one more post in this series – the final photography and image editing.

Featured Images Musings & Meta

Totally Not Miniature Painting Related – Circus

Briefly interrupting this series on my painting contest entry to post on what I’ve actually been working on for the last month.

You see, I finished my contest entry and then remembered that I didn’t actually have time to do that sort of thing because zomfg, I’m doing a show in a month and I have to train skills and routines, and rehearse lines and…make props. Making props is surprisingly similar to making miniatures, but larger in this case.

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A few circus props.

In the above photo is an apple pie in the front, a cake in the back, with a fish to the right of it and a leg of “meat” on top. I know a guy who is going to juggle all of these items at once. MADNESS.

If you’re in Vancouver on August 22nd or 23rd, you should come to our show. Tickets available online.

 

Actually miniature related: I started working on more skinks for OFCC in Portland in September. Not only are they turning out absolutely horrendously, but I also can’t paint more than 6 at a time without losing focus, which then means my brushwork sucks.

 

Featured Images

Outcasts – Killjoy – Final

This is probably the nicest model I’ve ever painted.

Don’t get me wrong, Killjoy is a fugly dude. But something about those rolls upon rolls of skin…the invitation to mottle and bruise him…to go a little overboard with the shadows in places and to paint definition (more rolls…) where none existed. It was brilliant. The base coat didn’t look like much, but it ended wonderfully.

This model is mostly skin, and as such I spent several hours on said skin. I really couldn’t tell you what I did, but in essence it looked like:

  • Kislev Flesh
  • Kislev Flesh mixed with SW Amethyst
  • More of that.
  • Kislev Flesh mixed with Skull White
  • More of that.
  • Go back to the top of the list and move down the list until it looks right.

It’s mesmerizing.

And worse, because I thought it was beautiful, every time I picked it up I found something else that needed fixing for it to be perfect. I need to finish the rest of this entry quickly so I can photograph it and be done with it…

After that, the rest of the model is pretty boring! The fireball was painted the same as the Fire Gamin. I used the Lamentor’s Yellow to do a bit of OSL around his stomach. Bloodletter Wash on his open wounds and around the open areas of his mouth. A simple Mithril Silver plus Badab Black (yes, I still have some!) and Seraphim Sepia on the metal. His wraps were Sepia’d, then highlighted with Fortress Grey (don’t ask why I did this, I had a whim) and then spot painted with Waywatcher Green glaze.

I continued gluing SW leaves to his base, because I really like them. 🙂

 

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If you’ve read this far down the post, you get a super secret Easter Egg. Before I submitted the final posts for the painting contest, I edited out the very obvious join-lines on this guy. >.> I still fail hard at model assembly, but at least technology can help me out!

(And just so we’re clear – the only photo editing I do on my blog is to remove spots created by the lens, and adjust lighting and colour balance. I’d never lie to you guys! :))

Featured Images

Arcanists – Gunsmith – Final

After the basecoat, I tried something new and mixed the SW Amethyst with the Codex Grey and painted that as a shadow “de-highlight” into the recesses. Worked out really well! Then Amethyst+water directly as a line in the recesses.

While I painted the jumpsuit, I was trying to darken it, but still have that bright orange “pop” from the inspiration image. An important thing here was to paint the straps in a different colour, and have them be a noticeably different colour, but not have them stand-out from the rest. I picked the brown to try to fill this role.

Lastly, since she’s probably been mucking around in that Arcanist base mud for a while, her cloak got muddied up along the edges.

After I’d done all of this, I stupidly went searching for more images of her. Someone had converted her hair to be less terrible looking. I wish I’d had that fore-thought. >.<

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Featured Images

Arcanists – Fire Gamin – Final

This guy was pretty easy after that base coat.

I mixed Sunburst Yellow and Blazing Orange together and all-but drybrushed it over it’s skin. This thing is so covered in flamey crevasses, almost anything I did here was going to hit the surface.

Then mixed in a little bit of Mephiston Red and went over it again. Some Lementors Yellow to try to make sure I kept the bright yellow in the recesses. Then I went to Mephiston and Orange, and then to Mephiston and Rhinox Hide, then to straight Rhinox Hide and then straight Chaos Black. Lastly, some more Lementors, because I think you just can’t have enough of that stuff.

All of these stages were drybrushed, trying to hit less and less of the model each time.

For the fireball, I stopped after the Mephiston+Orange, then did the tip with the Mephiston+Rhinox   Then I painted in watered down Sunburst Yellow into some of the recesses to bring back some of the yellow, as it had been mostly covered by orange at an earlier step.

Badab Black on the cloth, then highlighted with a thin glaze of Ushapti. Ushapti teeth, shadowed with Badab Black. Warpstone Green eyes with Black pupils. Mithril Silver chain links the two scraps of cloth.

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Featured Images

Arcanists – Joss – Final!

After Joss got weirdly basecoated, and I had to run with what he had.

And honestly, I was feeling super lazy after finishing the best damned paint job I’ve ever done on my contest entry model. So Mr. Joss got Seraphim Sepia’d pretty well. >.> I’ve got one more contest entry model to paint, so I’m hoping that a weekend of gaming will cure me of my burn out!

I did feel bad about him afterwards and highlighted the Sepia, then mixed in with the SW Amethyst and painted in his shadows, did some Bloodletter Wash on his horrible mutilated arm. I tried to clean up his skin, but in the end it looks good enough. Better skin than I was painting 8 months ago, anyway!

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Featured Images

Outcasts – Malifaux Child – Finale

Again with the blasted eyes… this guy had a different problem, in thatwhile I got the left one ok, the right one (looking at him…) would continually blot out the entire surface of the eye. Kelly recommended that I got back on my Performer and deepen the eye sockets a bit, and I may have to do that to this guy as well.

He got a huge pile of leaves coverage the storm drain he’s sitting on, because I was feeling like moar leaves were moar bettah.

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Next up, I think I’m back to working on Arcanists. There’s a tournament coming up that I’m thinking of going to, and I need a handful more models to shore up my potential Hardcore list. 😛